CONTEMPORARY ART
“Non colorati ma di colore: I quadri oggetto di Sean Shanahan / Not Coloured but of Colour: Sean Shanahan’s Monochrome Painting-Objects”. In Sean Shanahan. Singular Episodic (ed. Italian/English). Exh. cat., Museo d‘Arte Contemporanea, Lissone. 2020. 12–19 (Italian) and 28–34 (English).
“Ricardo Rendón: That Which Is Above Is Like That Which Is Below.” Accompanying text to the eponymous exhibition at Arróniz Arte Contemporáneo, Mexico-City. October-November 2019. (Original English text and Spanish translation available here, click on “i” l.r.).
“Marcelo Brodsky’s Poetics of Resistance.” In: Joachim Melchers (ed.). Marcelo Brodsky. Poetics of Resistance (ed. English/ German/French). 2019. Mönchengladbach: B. Kühlen Verlag. 4–15. (For Portuguese translation see: Wrong Wrong, online magazine edited by TERCEIRO DIREITO)
“Southern Stars: An Exploration of Latin American Art. Introduction.” In: Art Paris Art Fair 2019 (ed. French/English). Art fair cat., Grand Palais, Paris, 2019. 48–59. (Text available here).
“Contemporary Video Art from Mexico, Colombia, Peru and Argentina (2000–2018)”. In: Art Paris Art Fair 2019 (ed. French/English). Art fair cat., Grand Palais, Paris, 2019. 60–63. (Text available here)
Entries on the site-specific installations by artists Marcelo Brodsky, Ricardo Rendón, Betsabeé Romero and Stinkfish. In: Art Paris Art Fair 2019 (ed. French/English). Art fair cat., Grand Palais, Paris, 2019. 66–71. (Text available here)
"Yuan Yuan: Alternative Realities". In: Yuan Yuan: Alternative Realities (ed. English / Chinese). Exh. cat., Edouard Malingue Gallery, Hong Kong / Shanghai. 2018. n.p.
With Ariane Varela Braga, “Cybèle Varela: An Introduction”. In: Valentina Locatelli and Ariane Varela Braga (eds.). Cybèle Varela: Tropicalismo Remixed (ed. English/German/Portuguese). Exh. cat., Brasilea Stiftung, Basel. 2018. Milano: Silvana Editoriale. 15–17.
"A Conversation with Cybèle Varela”. In: Valentina Locatelli and Ariane Varela Braga (eds.). Cybèle Varela: Tropicalismo Remixed (ed. English/German/Portuguese). Exh. cat., Brasilea Stiftung, Basel. 2018. Milano: Silvana Editoriale. 29–39.
“Contemporary Mexican Women Artists Without Restraint.” In: Valentina Locatelli (ed.). Without Restraint: Werke mexikanischer Künstlerinnen aus der Daros Latinamerica Collection/Works by Mexican Women Artists from the Daros Latinamerica Collection (ed. German/Engl.). Exh. cat. Kunstmuseum Bern, Berne. 2016. Ostfildern: Hatje Cantz. 23-31. (Translated into German).
Entries on the artists: Ximena Cuevas, Claudia Fernández, Teresa Margolles, Betsabée Romero, Maruch Sántiz Gómez, Teresa Serrano and Melanie Smith; interviews with Betsabée Romero, Maruch Sántiz Gómez and Teresa Serrano. All in: Valentina Locatelli (ed.). Without Restraint: Werke mexikanischer Künstlerinnen aus der Daros Latinamerica Collection/Works by Mexican Women Artists from the Daros Latinamerica Collection (ed. German/Engl.). Exh. cat. Kunstmuseum Bern, Berne. 2016. Ostfildern: Hatje Cantz. Passim. (Translated into German).
19TH AND 20TH CENTURY ART
“Ferdinand Hodler, Self-Portrait (The Angry One)”
“Ferdinand Hodler, Portrait of Valentine Godé-Darel (La Parisienne II)”
All in: Atsushi Shinfuji (ed). Ferdinand Hodler. Towards Rhythmic Images. Exh. cat. The National Museum of Art, Tokyo, Hyogo Prefectural Museum of Art, Kobe. 2014–15. NHK Promotions Inc.: Tokyo. 56 and 184. (Published in Japanese translation).
“Figurenbilder: Symbolismus in der Schweizer Kunst/Oeuvres avec figures: Le symbolisme dans l’art Suisse.” In: Matthias Frehner and Valentina Locatelli (eds). Sesam, öffne dich! Anker, Hodler, Segantini... Stiftung für Kunst, Kultur und Geschichte/Sésame, ouvre-toi ! Anker, Hodler, Segantini... Fondation pour l’art, la culture et l‘histoire (ed. German/French). Exh. cat. Kunstmuseum Bern, Berne and Fondation Gianadda, Martigny. 2014. Quart (AO): Musumeci. 167–192.
Chronologie des Surrealismus”/“Chronology of Surrealism.” In: Philippe Büttner (ed.). Surrealismus in Paris/Surrealism in Paris. Exh. cat. Fondation Beyeler, Riehen/Basel. 2011. Ostfildern: Hatje Cantz. 271–77.